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New FORCE America Design Emerges From Combination of Clay, DSSP and RP
Dec 20th, 2009
3D Scanning Technologies

Force America LogoFORCE America had a problem familiar to many companies: How do you improve on a previous design, yet retain the familiar look and feel that customers love about your products?

The answer came from Advanced Design Concepts.  ADC combined clay modeling with digital shape sampling and processing (DSSP) using Geomagic Studio software.  The result: a complete physical prototype of a new controller handle in half of the scheduled time.

Combining function and form

For nearly 50 years, FORCE America has been creating motion and control products for mobile hydraulic systems incorporated into work trucks and agricultural equipment used for snow removal, logging, mining, harvesting and other heavy-duty tasks.Exploded View of joystick design Force America wants

Reliability is obviously an overriding requirement in FORCE America’s designs, but its controllers also have to be ergonomically flexible to accommodate interaction with different-sized hands.  David Zech, mechanical project engineer at FORCE America, thought ADC was perfectly suited to realize dual design objectives.

“In previous projects, ADC had proven it has the design engineering skills to produce a final product design that is both structurally sound and cost effective,” says Zech.

There is also the added advantage of ADC having all the tools to do the job in one place.

“Because the design, moldmaking and part manufacture are located in the same ADC facility, we are able to reduce the time needed from conception to manufacture,” says Zech.  “The setup also decreases the cycle time when unforeseen changes arise in new product design.”

The tools to make a leap

ADC used an ATOS GOM white light scanner to capture geometry from a clay model of the FORCE AMERICA controllerThe controller handle project epitomizes ADC’s expertise in DSSP, which describes a group of technologies that enable users to move efficiently between physical and digital worlds.  At the center of the process is Geomagic Studio software, which ADC has used in design engineering projects for a diverse range of customers, from Harley-Davidson to Fiskars to American Blimp.

“Geomagic Studio fundamentally changes the way you can design,” says Mark Schaefer, ADC president.  “It provides the tools that enable you to make a quick leap from a physical model with a shape and feel everyone likes to an accurate CAD model for manufacturing.”

FORCE America started the project by giving ADC the internal components that would be required in the new design and a rough clay model of the shape.  Using Pro/ENGINEER, Schaefer created CAD models of the buttons and circuit board areas based on existing drawings and 3D scans.  He then created a volume model around the components to provide a clearance guideline for the clay work.

Saving a month in iterations

ADC used the Objet system to produce a rapid prototype of the outside shell and some of the internal components.  Chris Mulhall, a senior engineer at ADC, took the RP part and added clay to create the intended shape of the controller, sculpting it to meet FORCE America’s ergonomic and styling requirements.  Changes were made to the clay model by hand until the look and feel was right.Geomagic Studio software was used to smooth out inconsistencies in the scan and to flatten the button area

“Making a part that feels and looks good is very difficult,” says Schaefer.  “Using clay as the media to get the shape right saved about a month in CAD and physical prototyping iterations.”

Greg Groth, reverse engineering manager at ADC, captured the geometry from the clay model using a GOM ATOS white-light scanner.  He saved the data as an STL file and imported it into Geomagic Studio software.  Within Geomagic, he smoothed out inconsistencies in the clay surface and made the button area flat.  The model was then turned back over to Schaefer, who generated a parting line surface and curves in Pro/ENGINEER.

The Pro/ENGINEER model was then brought back into Geomagic Studio, where Groth modified the part to meet tooling draft requirements.  Once the draft was set, Groth created an offset surface to maintain the wall thickness of the part.  He then used Geomagic Studio to create surfaces of the final part and define the offset internal geometry.

From Geomagic, the surfaces were brought back into Pro/ENGINEER, where structural ribs, holes and assembly features were added.  The final model was printed on the Objet system, and the parts were assembled for final approval.

“Once the clay model was perfected, it was only a matter of days to move from scan data to a final, tool-ready prototype with switches and components ready for installation,” says Schaefer.

Combining strengths

The final surface model generated in Studio is ready for ProEMuch of the speed of the project can be attributed to the interchange between Geomagic Studio and Pro/ENGINEER throughout design stages.

“The combination of Geomagic Studio and Pro/ENGINEER enabled us to quickly capture the clay model, check the draft, and modify the surface geometry to make the controller manufacturable,” says Groth.  “This is a perfect example of Geomagic and CAD working together to generate a high-quality design very quickly.”

The job, scheduled for six weeks, was completed in just three weeks.  While ADC was completing the handle design, engineers at FORCE America were able to work on other parts of the new system assembly.  Most importantly to Zech, ADC was able to ensure design quality in the early development stages.

“By allowing ADC to design and build the parts and the molds we were able to utilize the knowledge they have from many previous projects and make quality an integral part of the initial design,” he says.  “ADC allowed us to provide a product that is new and improved from the previous product, yet has the quality look and feel that customers expect from FORCE America.”

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